‘Especially in this place, I believe you needed me. You weren't aware it but you required me, to alleviate some of your own embarrassment.” Katherine Ryan, the 42-year-old Canadian comic who has made her home in the UK for close to 20 years, was accompanied by her newly minted fourth child. She removes her breast pumps so they don’t make an annoying sound. The initial impression you observe is the incredible ability of this woman, who can project maternal love while forming coherent ideas in complete phrases, and never get distracted.
The next aspect you notice is what she’s famous for – a genuine, inherent fearlessness, a dismissal of affectation and hypocrisy. When she sprang on to the UK comedy scene in 2008, her challenge was that she was exceptionally beautiful and refused to act not to know it. “Trying to be stylish or attractive was seen as catering to male approval,” she states of the that period, “which was the reverse of what a comedian would do. It was a trend to be modest. If you appeared in a stylish dress with your underwear and heels, like, ‘I think I’m stunning,’ that would be seen as really unappealing, but I did it because that’s what I enjoyed.”
Then there was her material, which she summarises breezily: “Women, especially, craved someone to appear and be like: ‘Hey, that’s OK. You can be a advocate for equality and have a enhancement and have been a bit of a party-goer for a while. You can be flawed as a mother, as a partner and as a chooser of men. You can be someone who is wary of men, but is bold enough to criticize them; you don’t have to be nice to them the entire time.’”
‘If you went on stage in your lingerie and heels, that would be seen as really off-putting’
The drumbeat to that is an focus on what’s true: if you have your child with you, you most likely have your breast pumps; if you have the facial structure of a youngster, you’ve most likely undergone procedures; if you want to slim down, well, there are treatments for that. “I’m not on any yet, but I’ll consider them when I’ve stopped feeding,” she says. It addresses the root of how feminism is conceived, which I believe has stayed the same in the past 50 years: empowerment means appearing beautiful but without ever thinking about it; being universally desired, but without pursuing the male gaze; having an solid sense of self which heaven forbid you would ever alter cosmetically; and allied to all that, women, especially, are expected to never think about money but nevertheless thrive under the demands of modern economic conditions. All of which is kept afloat by the majority of us bullshitting, most of the time.
“For a long time people went: ‘What? She just discusses things?’ But I’m not trying to be provocative all the time. My personal stories, actions and missteps, they reside in this area between pride and regret. It took place, I share it, and maybe reprieve comes out of the humor. I love telling people confessions; I want people to confide in me their confessions. I want to know errors people have made. I don’t know why I’m so eager for it, but I view it like a bond.”
Ryan spent her childhood in Sarnia, Ontario, a place that was not particularly prosperous or urban and had a vibrant local performance musicals scene. Her dad managed an technical company, her mother was in IT, and they demanded a lot of her because she was sparky, a driven person. She wanted to escape from the age of about seven. “It was the kind of town where people are very content to live nearby to their parents and remain there for a considerable period and have one another's children. When I return now, all these kids look really familiar to me, because I grew up with both their parents.” But isn't it true she partnered with her own teenage boyfriend? She went back to Sarnia, caught up with Bobby Kootstra, who she dated as a teenager, and now – six years later – they have three children together, plus Violet, now 16, who Ryan had cared for until then as a solo mom. “Right,” says Ryan. “Sometimes I think there’s a different path where I didn't make that, and it’s still just Violet and me, stylish, cosmopolitan, mobile. But we cannot completely leave behind where we started, it seems.”
‘We are always connected to where we started’
She got away for a bit, aged 18, and moved to Toronto, which she enjoyed. These were the period working there, which has been another source of debate, not just that she worked – and enjoyed working – in a establishment (except this is a myth: “You would be let go for being topless; you’re not allowed to remove your top”), but also for a bit in one of her performances where she mentioned giving a manager a sexual favor in return for being allowed to go home early. It breached so many red lines – what even was that? Abuse? Prostitution? Unethical action? Betrayal (towards whoever it was who had to stay late so she could leave early)? Whatever it was, you certainly were not meant to joke about it.
Ryan was shocked that her fellatio sequence generated controversy – she got on with the guy! She also wanted to go home early. But it revealed something broader: a strategic absolutism around sex, a sense that the consequence of the #MeToo movement was outward chastity. “I’ve always found this notable, in arguments about sex, permission and exploitation, the people who don’t understand the subtlety of it. Therefore if this is abuse, why isn’t that abuse?” She references the comparison of certain comments to lyrics in popular music. “Certain people said: ‘Well, how’s that different?’ I thought: ‘How is it similar?’”
She would not have relocated to London in 2008 had it not been for her then boyfriend. “Everyone said: ‘Don’t go to London, they have pests there.’ And I disliked it, because I was suddenly broke.”
‘I felt confident I had material’
She got a job in retail, was told she had a chronic illness, which can sometimes make it difficult to get pregnant, and at 23, chose to try to have a baby. “When you’re first informed about something – I was quite ill at the time – you go to the darkest possibility. My rationale with my boyfriend was, we’ve had so many issues, if we haven't separated by now, we never will. Now I see how extended life is, and how many things can alter. But at 23, I was unaware.” She managed to get pregnant and had Violet.
The next bit sounds as high-pressure as a tense comedy film. While on maternity leave, she would take care of Violet in the day and try to enter standup in the evening, carrying her daughter with her. She knew from her sales job that she had no problem being convincing, and she had faith in her fast thinking from her time at Hooters; more than that, she says simply, “I knew I had jokes.” The whole circuit was riddled with sexism – she won a major comedy award in 2008, just over a year after she’d started performing, a prize that was created in the context of a persistent debate about whether women could be funny
Elara is a seasoned strategist with over a decade of experience in corporate leadership and military tactics.